Gender and Song in Early Modern England (Women and Gender in the Early Modern World) (Ingls)-Envo rpido

Description

Performing Women In English Books Of Ayres / Scott A. Trudell — Witches, Lamenting Women, And Cautionary Tales : Tracing The Ladies Fall In Early Modern English Broadside Balladry And Popular Song / Sarah F. Williams — Listening To Black Magic Women : The Early Modern Soundscapes Of Witch Drama And The New World / Jennifer Linhart Wood — Better A Witty Fool Than A Foolish Wit : Song, Fooling, And Intellectual Disability In Shakespearean Drama / Angela Heetderks — Dangerous Performance : Cupid In Early Modern Pedagogical Masques / Amanda Eubanks Winkler — Making Music Fit For Kings : Reforming And Gendering Music In Samuel Rowley’s When You See Me, You Know Me / Joseph M. Ortiz — Unimportant Women : The Sweet Descants Of Mary Sidney And Richard Crashaw / Tessie L. Prakas — Domestic Song And The Circulation Of Masculine Social Energy In Early Modern England / Linda Phyllis Austern — Song, Political Resistance, And Masculinity In Thomas Heywood’s The Rape Of Lucrece / Nora L. Corrigan — Music For Helen : The Fitful Changes Of Troilus And Cressida / Erin Minear — The Use Of Early Modern Music In Film Scoring For Elizabeth I / Kendra Preston Leonard. Edited By Leslie C. Dunn And Katherine R. Larson. Includes Bibliographical References And Index.